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- Claire Yaffa: Les Reves Du Coeur (Dreams Of The Heart) – Why We Photograph, Chapter 8
Claire Yaffa: Les Reves Du Coeur (Dreams Of The Heart) – Why We Photograph, Chapter 8:
Claire Yaffa took her first photograph 45 years ago when her son was 18 months old and it was the beginning of her journey, first as a mother, then as a photographer. She has worked extensively for The New York Times and Associated Press. Her photographs have appeared in countless influential publications and have been exhibited at major venues in the US and around the world.
Leica Notebook, Chapter 8
When looking at a photograph, does one know the photographer because of the image he has made? Are you able to recognize the subject, the feeling and know who this person is? A photograph is revealing, perhaps to the person taking the photograph, but also to the viewer. Whether you are a “concerned photographer,” or fine art or portrait photographer, one makes a decision to try to confront and capture what to photograph.
A beautiful cactus plant, purchased recently, lost its identity as light and shadow transformed the reality of the plant, to shapes and colors. Hypnotized by the different images, I returned to the plant again and again, photographing it, in awe of what I was seeing. Why do we respond the way we do? I believe it is the dreams of our heart, les reves du coeur, when our eye and camera make us aware of the world around us. We need to express many things and as photographers we do it with our camera. We photograph our families, friends, loved ones, life’s fragility, people in need, the impoverished, the concerns of our lives and often just the beauty of a flower, animal, scenes to record or an affirmation we were here and we saw this. We want to share it with you in the hopes you feel as I did when I took this photograph. Perhaps we photograph to protect ourselves from life’s impermanence. Perhaps we photograph because we love what we do. Perhaps we photograph because it is our way of thinking and feeling about ourselves and a beautiful world. Perhaps we photograph because unlike the seasons, we do not come again. Please contribute to this dialog: Why do you photograph?
You can also see more of Claire’s work on her website, www.claireyaffa.com.